“‘What’s the point of lying at the end of the world?’ In the cataclysms holding the center of her wild and exuberant novel, Melissa Lozada-Oliva shows our willingness to still keep big secrets and hide hard truths, our everyday fears always greater than the chaos of a world on the brink. Candelaria goes for broke and why not? ‘Names erode,’ we are warned. But good stories? Never.” —Manuel Muñoz, author of The Consequences

“Melissa takes us on an intense journey about the end of days, showing us that family might be the only thing that will save us, all while throwing in some Stephen King-level horror that’ll make your heart race. This ride’s a wild one – and you’re gonna wanna be on it.” —Oz Rodriguez, director of Vampires Vs. the Bronx

“Electric from the first page, Lozada-Oliva’s story of high-octane family dynamics and transformation is swiftly paced and deliciously vivid. Sparkling with character and dialogue, Candelaria is not only a novel, but a multisensory experience.” —Amanda Montell, author of Cultish and Wordslut

“Candelaria is a thrilling ride. Melissa Lozada-Oliva captures with deft humor the lives of a matriarch and her brood of daughters and granddaughters as they survive addiction, patriarchy, capitalism, natural disasters, and zombies. Reading Lozada-Oliva’s work is like attending a family reunion, one where you hang in the backyard smoking a joint with your favorite cousin. Melissa is a smart, compassionate, and hilarious writer. I will read anything she writes.” —Alejandro Varela, author of the 2022 National Book Award finalist The Town of Babylon

“Buckle up—Candeleria is a literary ride unlike any other. A wild journey through generational trauma, untold truths, sibling rivalry and intimacy via backroads lined with cinema, cult fitness and the supernatural. Fear not, though the landscape Lozada-Oliva creates is utterly original and chaotic at times, she is a masterful guide whom I would follow anywhere. Heartbreaking, hilarious and absurd in the very best way, Candelaria sticks to your soul and leaves you seeing the world and the people in it a bit differently.” —Xochitl Gonzalez, Pulitzer Prize Finalist and author of Olga Dies Dreaming

“Melissa Lozada-Oliva has crafted a new blueprint for the generational family drama, injecting a healthy dose of post-apocalyptic body horror to present the kaleidoscopic shattering and reunification of a family besieged by capitalism, trauma, and a diabolical wellness cult seeking to co-opt their pain as a means of ‘healing’ the world. Equal parts hilarious, horrific, tender, and brutal, Candelaria is possibly one of the most accurate depictions of a neurodivergent spiral I have encountered, imbuing its chaos with endless heart and hope.”  —Violet James McMaster, Lahaska Bookshop

“Melissa Lozada-Oliva must be an all-knowing witch – her prose crackles and spits with all the same fire as her poetry. Three cheers for this exquisite, trippy book on family, sisterhood, and magic.” —Bex Frankeberger, Books Are Magic

“Melissa Lozada-Oliva has crafted a new blueprint for the generational family drama, injecting a healthy dose of post-apocalyptic body horror to present the kaleidoscopic shattering and reunification of a family besieged by capitalism, trauma, and a diabolical wellness cult seeking to co-opt their pain as a means of ‘healing’ the world. Equal parts hilarious, horrific, tender, and brutal, Candelaria is possibly one of the most accurate depictions of a neurodivergent spiral I have encountered, imbuing its chaos with endless heart and hope.” —Violet James McMaster, Lahaska Bookshop

“On one page there’s a disgusting depiction of cannibalism, on the next there’s some cultish antics, then two pages later there’s some of the most beautiful insight on family, love, and trauma. This book made me look at my own family dynamic with fresh eyes. A must must MUST read.” —Jules Rivera, Books Are Magic

“I love Melissa’s weird brain, I trust her as a storyteller and her innovation keeps me at the edge of my seat. A perfect book for fans of Nightbitch and Patricia Wants to Cuddle.” —Fawzy Taylor, A Room of One’s Own

“I never thought I would describe something as One Hundred Years of Solitude meets The Royal Tenenbaums—if both those creators watched Suspiria and Night of the Living Dead back-to-back during a popcorn-heavy slumber party. But then I dove into Candelaria and was met with all my favorite influences, along with the voice of someone entirely beautiful and unique to the genre.” —Sarah Canon, Third Place Books

“Bonkers . . . the author’s funhouse visions are hard to turn away from.”—Publishers Weekly

“Equal parts poignant, hilarious and horrific, this novel is a macabre feast for the senses — try a taste if you dare.” —Katherine Ouellette, WBUR

“The debut novel reads like a dark lyrical dream, best not indulged before bed, so as not to disturb your sleep.” —Jordan Snowden, The Seattle Times

Alvarez’s How the Garcia Girls Lost Their Accents meets Cormac McCarthy’s The Road

A sweeping, mystical novel following three generations of women as they grapple with muddled pasts and predetermined futures, Candelaria is a story of love that eats us alive from the author of Dreaming of You, Melissa Lozada-Oliva.

Your granddaughters are lost, Candelaria. Bianca, the brainy archaeologist, had to forfeit her life’s work in Guatemala after her advisor seduced and deserted her. Paola, missing for over a decade, resurfaces in Boston as a brainwashed wellness cultist named Zoe. And Candy, the youngest, is a recovering addict who finds herself pregnant by a man she’s not even sure ever existed. None of this concerns you of course, until a cataclysmic earthquake hits Boston. Now you must traverse the crumbling city to reach the Watertown Mall Old Country Buffet—for a reason you still cannot disclose—battling strange entities and your own strange past to save your granddaughters and possibly the world.

Told with tongue-in-cheek humor and sharp cultural criticism, Candelaria is an unsettling, raucous debut novel that unearths one troubled family’s legacy, feasting on diasporic identity politics and examining the limits of bodily autonomy and the dangers of wanting to belong at any cost.