“Among the great pillars of Southern literature.”― New York Times

“One of the funniest writers in America…also the writer most attuned to the American freakshow―its hilarity, its hopes, its heartbreak.” ―Brock Clarke, author of Who Are You, Calvin Bledsoe?

“Singleton’s South doesn’t look like anybody else’s.” —The Atlanta-Journal Constitution

“Singleton brings together his best work along with one new story in this smashing collection that combines satire, tragicomic premises, and small-town South Carolina locales. Items as innocuous as caulk or a VHS tape become the focus of droll yet moving meditations on the foibles of modern life or the misery of a marriage’s disintegration…Fans and newcomers alike will rejoice in reading these highlights from a Southern literary master.” ―Publishers Weekly, Starred

“Singleton’s fellow writers regard his work with an affection bordering on awe, but both comic writing and short fiction are underrated forms, which is how Singleton has become something like the John Prine or Tom Waits of Southern scribes: revered, honored, and esteemed but almost criminally underappreciated. Indeed, Singleton’s work is too original, too wildly hilarious and inventive to be imitated.” ―Chapter16

Thirty stories, collected in one volume for the very first time, from one of the South’s best known and most acclaimed short story writers.

With his signature darkly acerbic and sharp-witted humor, George Singleton has built a reputation as one of the most astute and wise observers of the South. Now Tom Franklin introduces this master of the form with a compilation of acclaimed and prize-winning short fiction spanning twenty years and eight collections, including stories originally published in outlets like the Atlantic Monthly, Harper’s, Playboy, the Georgia Review, the Southern Review, and many more. A lovelorn and chatty euthanasia vet arrives at a couples’ house to put down their dog, Probate; a father-to-be searches his workplace–a bar–for a replacement sonogram after recording an episode of Bonanza over the original; an unlikely romance sparks between a librarian and a professional bowler while they compete to win an RV; a father takes his son to visit the many ex-girlfriends that could have been his mother.

These stories bear the influence of Flannery O’Connor and Raymond Carver, at other times Lewis Nordan and Donald Barthelme, and touch on the mysteries of childhood, the complexities of human relationships, and the absurdity of everyday life, its inexorable defeats and small triumphs. Assembled here for the very first time, You Want More showcases the body of work, hilarious and incisive, that has cemented George Singleton’s place among the South’s greatest living writers.