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The Interpreter of Java (De tolk van Java)



Original Language: Dutch | 541 pp. | 2016

2 Seas Represents: French & Portuguese Rights

Rights sold: UK (Head of Zeus, WEL, in a pre-empt), Indonesia (Gramedia), Italy (Oscar/Mondadori), Albania (Ombra GVG)

English sample available

Over 100,000 copies sold. Number 1 on the Bestsellers List

Awarded the prestigious libris literature Prize 2017 as well as the Henriëtte Roland Holst Prize 2017

De Geus


A monument novel. — David van Reybrouck

Merciless novel. — NRC Handelsblad

An impressive novel. What a meaningful story about a torn up country, father and son. ***** AD Magazine

With this family story, Birney mercilessly exposes a crucial part of Dutch history. This masterful novel will echo on in the minds of its readers. A masterful novel. **** De Volkskrant

A masterly novel about the violence of colonialism, the war of decolonisation, the repatriation and the far-reaching consequences all these things have had on generations of the families involved. — De Groene Amsterdammer

More than a contemporary Max Havelaar, this is a Dutch version of Malaparte’s Kaputt or a striking variation on Kafka’s letter to his father […] Birney’s most important book. — Ons Erfdeel

What a strange novel, its language and storytelling so light, but also raw and full of lyricism. What a tremendous writer. Read this bloody book! — Adriaan van Dis

From the first sentence, which barrels ahead at a feverish pace for more than one page, this novel grabs the reader by the throat. A son compresses his father’s life in the Dutch East Indies (present-day Indonesia) into one furious eruption — everything from the atrocities of the Japanese occupation, and the war of independence that followed, to his father’s violent and unpredictable treatment of his children in his new homeland, The Netherlands.

Arto Nolan is the father’s name; his son Alan strives to overcome his loathing and comprehend the man who abused him and beat his mother. That strange fellow from Indonesia had fled to the Netherlands before the Indonesians could execute him as a traitor. He soon married an overweight girl from a small town, had five children, and soon became so violent that Alan and his siblings had to spend most of their childhood in boarding schools.

His father spent evening after evening typing on his Remington; his wife and children had no idea what he was working on and were happy to have him out of the way. Later, Alan discovers his father had been working on his memoirs. Early in the book, he presents passages with his own sarcastic annotations – clearly, he does not have one shred of trust in his father. Later, his bitter interruptions become less frequent. They are completely absent from the second part of the memoirs, about Arto’s ruthless work as an interpreter who not only translated but also led interrogations, tortured prisoners, and did not hesitate to murder.

Arto’s passages are chilling in their detachment. He first describes how he was abused as a child by his own father (who was not married to his mother) and brothers. He later became an assassin. At first his targets were Japanese; after the occupation ended, he murdered Indonesians in the service of the Dutch, without question, without any pangs of conscience. The source of his loyalty to his overlords, from a country he had never seen, remains a mystery.

In this unsparing family history, Birney exposes a crucial chapter in Dutch history that was deliberately concealed behind the ideological facade of postwar optimism and reconstruction. The influx of refugees from Indonesia formed a threat to this illusion. Those wars turned Nolan from a boy into a monster, at least in the eyes of children. Do the memoirs offer his son a new perspective; does the monster become human? Nolan ends with the words, ‘I won’t fight anymore; I quit.’ But of course he cannot quit, and readers of this superb novel will likewise find that it reverberates long afterwards in their memory.

Alfred Birney (1951) is the author of a great oeuvre of fiction and non-fiction, in which his family’s dutch-indies history has a central role. in his novels he writes about his youth, dominated by his father, and the years he had to spend at boarding school. In The Interpreter from Java Birney describes both his parents’ histories and the impact their lives had on his own.